Notes

17 comments:

  1. Notes 1/13/16

    - understanding of history and reality has been through the photograph
    - "we start to believe a photograph more than reality"
    - life is presented by a series of images
    - concept and context become much more important
    - crossing over of ideas and styles is encouraged and expected
    - modernism was objective and documentary
    - postmodernism was subjective and fabricated photos were common
    - documentary photographs in the 60's, for example, were supposed to be truthful
    - pop art uses old photographs and uses a twist of their own personality
    - Frank Majore was an important postmodernist
    - it is less of a product ad, and more selling a lifestyle
    -postmodernism means everything is an image
    - Sherrie Levine was an appropriationist
    -she was saying there is nothing left for an artist to do but copy
    - it is a representation of an reproduction of an object
    - Cindy Sherman is one of the most celebrated postmodernist photographers

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  2. Notes 1/25/16

    -content and concepts are more important
    -photography for conceptual art is perfect since it's based on looking
    - labels on works of art make you understand its meaning and look at it again
    -photography is based on nature of representation
    -Ken Josephson says there is always an illusion and you're looking at a picture of reality
    -John Pfahl alters space and landscape to show dimension
    -we assume the farther the objects are, they are the same size,but appear smaller
    -the sense of space is being altered in Pfahl's photos
    -Zeke Berman, a sculptor, saw photographs changed the way his objects were created
    -Georges Rousse painted the walls to change the way his architecture designs were viewed
    -David Hockney was the first to show collage art in photographs
    -his photographs look like lots of little frames with movement
    -Vic Muniz works with no conventional materials in his photographs, like food
    -if you pay attention to the food in his photos, you don't see the photograph
    -photography's biggest job is to persuade, over an other medium

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  3. Notes 2/1/16

    -Yasumasa Morimura paints the same masterpiece as background and inserts himself into photograph
    -questions western documentary of our history
    -"why can't art history start with eastern art?"
    -asks us to question education of western art history
    -Carrie Mea Weems posed questions about race and color
    -uses tints on black and white photographs to change perspective on skin color
    -work explains how we describe ourselves based on color
    -Lorna Simpson uses textures to show differences in class and race
    -photographs don't show faces to show gender and race neutrality
    -challenges how experience is created through history or memory
    -incorporates text to show a story behind the image, but makes you question what you see first: text or photograph
    -Gillian Wearing does documentary type work to show the public in a way that we wouldn't normally want to see
    -the people she took photos of are choosing how they want to be documented, instead of the artist taking photos of what they want
    -Shizuku Yokomizo documented subjects who chose to be photographed without knowing who the artist was, he is just a silhouette
    -he took photos of people through a widow after sending postcards asking them to participant
    - Ruth Thorne-Thomsen was a famous pin-hole camera photographer
    -pin-hole cameras are naturally not focused and shows depth of field
    -she was interested in constructing illusions with different distances
    -Aberaldo Morell made the whole room a camera obscura and used a tiny hole in the window
    -with such low lighting it would take about 8 hours to get the photograph
    -Adam Fuss makes photographs with photograms (objects on light table in dark room)
    -how much light exposure is going to be made has to be calculated
    -Susan Durst uses moonlight and a flashlight as her light source and wanted to be very close to her landscapes in her photographs

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  4. Notes 2/8/16

    -fabricated/staged photography: 60's-80's/90's
    -Hyppolyte Bayard: took photograph of himself appearing dead in 1840's to show anger over not being known as one of the first photographers
    -tableau photographers do it all: directing, make up, setting the scene
    -Eugene Meatyard used his family to stage horrific, death-like images
    -he used children who didn't really know what they were doing and used their innocence
    -Less Krims took photographs of forensic crime-scene like photos of female victims
    -criticised by feminist artists because he only took photos of female victims
    -Arthur Tress photographs surrealistic fears and fantasies of the models that pose for him
    -emotional confessions were documented into illusionist staged photography
    -advertising strategies developed reality in photos in staged photography
    -exaggerated posed and dramatic colors were being used in the 80's and 90's
    -useful detachment from photography became suggestions, not descriptions
    -shift from how a photograph represents reality to how reality can be presented in a photograph
    -David Levanthal explores historic images by using toys to depict stories
    -takes pictures of how he remembers the historical stories and events (based on memories)
    -famous for Wild West stories reconstructed; about hazing memories
    -uses color to evoke emotion and sexuality to photographs about historical events
    -Ken Botto uses miniature characteristics of toys to create brutal style
    -interested in scenes that depict events and information in our modern lives
    -Bruce Charlesworth creates everything that goes into a single photograph
    -creates absurd, dramatic, and sometimes violent photographs with actual people
    -he was so interested in movies that he wanted to create poster-like photographs to intrigue us
    -Sandy Skoglund uses people or sometimes animals to show elaborate whimsical photographs
    -invites models to come in and model for her to show absurd objects in a scene
    -these types of photographs are used to create bias and prejudice in our culture
    -Joel Peter Witkens show horrific and pitiful people to show modified human bodies
    -used cadavers to show pain in human bodies through such horrific alterations
    -he wanted to bring crimes of violence against people to bring awareness to the media
    -Robert and Shana Parke Harrison collaborate together together and make the sculptures for the photos
    -pre-digital photographs showed the overuse of the land due to the technological age
    -used a lot of work to develop photos; Robert often poses in photographs

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  5. Notes 2/15/16

    -Gregory Crewson has hidden narratives in his fairy-tale like photographs
    -has haunting and surreal feelings and hires an entire industry to make just one photograph
    -staged photographers are relying on one photograph to make an entire story
    -Crewson explores suburban America lifestyle and hires townspeople to pose in photographs
    -each photo is polished and perfectly lit, people are physically present, but psychologically gone
    -blue and green tints give a tv-like feeling of falseness
    -wants to give an illusion of a movie, but have it seem like it's a real possibility
    -Jeff Wall is one of the best photographers that was fabricated photography that looks like documentary photography
    -went to a street and observed events over days to find racist occurrences and recreate them
    -famous for being an art critic and historian, wanted people to have emotional responses of his photographs and paintings
    -"Destroyed Room" was a women's room shown to depict her psychological aggression and disruption
    -started to use digital manipulation by shooting multiple photographs over 5 months and put them together to make one particular photograph, and had to put them together since they could not be printed that way
    -people wanted to use his techniques as a way to advertise things by morphing things together
    -Thomas Demand: famous work is images of painted cardboard boxes of historical images from magazines and newspaper, predominantly German
    -he creates imagines of nations that are collectively remembered and created by international media
    -shows small imperfections purposefully to show a lack of active involvement in the memory
    -recreated an event of a cruise ship being hit by a hurricane
    -Jeff Wall (video): used paintings to help him find human beauty in his photographs
    -wanted his photographs to make a claim to truth
    -when starting to use color, he saw illumination in advertisements
    -lights shine through white paper to show illumination
    -artists wanted to show representation of events to viewer, instead of documentation
    -"Dead Troops Talking" he wanted the dead soldiers to wake up again and start having a conversation, so he depicted that in digital photography

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  6. Notes 2/17/16

    -contemporary stage approach to photography in documentary form
    -captures beautified moment staged by photographers, Kodak moment, dramatized
    -major focus is basic functions of photography, captures documents
    -daguerreotype photography focused on functionality of camera and shot people straight on
    -that was a certain emotional disconnect from the photographer
    -August Sander: on of the first photographers of this type, captured portraits of people
    -had democratic and sociological connotations in his portraits of who the people were
    -portraits shot with minimal lighting and straight on
    -Diane Arbus: considered influential in the 60's, weirdness surrounded her subjects
    -topography: the accurate and detailed description of a place, a kind of mapping of the surface
    -Robert Adams: stylish neutral landscape, photos could have been done by anyone
    -photographs were purely documentary, didn't have human emotion
    -William Eggleston: the only commercial photographer using color, looked snapshot-like
    -he believed in extracting the ordinary and make it look fascinating
    -Bernd and Hilla Becher: founded school of arts from 70's-2000's
    -lots of people followed their style of documenting similarity in landscape and buildings
    -put buildings in grid format so you could compare all of them structurally
    -mapping was used to show diversity of objects
    -Andreas Gursky: photographing large architectural structures, everything in focus, from foreground to background, patterns in photographs
    -tried to make photographs as large as a painting, one photograph sold for over 3 million
    -Thomas Struth: huge photographs, only shown in museums, photographs of inside architectural buildings, looks tutorist-like but intentional
    -Do you think this type of style represent how we feel disconnected from each other?
    I think that we have researched the point where everyone is a photographer in some sense or another, and we've gotten to the point where nothing is very original or special anymore.

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  7. Notes 2/22/16

    -deadpan style was a way of documenting people and the area around them
    -Susan Sontag: "There is never any real understanding in a photograph, but only in an invitation to fantasy and speculation."
    -what you know about a person can create an implication of the meaning of the portrait photograph
    -Thomas Ruff: created photographs in completely flat lighting, with a lack of facial expression, like a photograph for a passport
    -neutral background, the portraits only have hair, clothing, and possibly jewlery, so we are forced to infer things about that person through imagination
    -Philip-Lorca diCorcia: sets up lighting system in large cities and waits for people to come into the lighting, and takes their picture without them being aware that they are being photographed
    -unsuspecting pedestrians become performers and look like they have fallen into their own thoughts, as raw and as pure as it is
    -Adrienne Saligner: her and others are interested in transition of time and capturing evolution of people's lives
    -invisible man: middle aged men who become older and ignored in society, all of the men she photographed couldn't believe that was what they looked like
    -Rineke Dijkstra: became famous for shooting pictures of adolescence at the beach of them going trough their life
    -takes the picture just as the subjects are starting the form their pose to capture their uncertainty that reflects the time in their life
    -language transforms trough life transitions, like woman to mother, for example
    -Katy Grannan: started to give a voice to individual women that she photographed, she gave them a freedom to choose how they wanted to be portrayed
    -previously has been a clash of how the artist wants to document the person, and how they want to be portrayed
    -Catherine Opie: interested in people who are in-between, photographed LGBTQ people and challenged the meaning of gender definition
    -photographs the people in lush, provocative colored clothes, but has no other indication to their gender identity or orientation
    -Charlie White: compared adolescents to transgenders right after their surgery
    -Kelli Connell: visual manipulation makes the two people look like twins when they are not and the body language was meant to look very similar

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  8. Notes 2/29/16

    William Eggleston
    -growing up in Memphis, TN influenced his art being in the South
    -dye transfer prints was a way he started to print his photographs
    -Los Alamos prints are large color prints from 1974
    -doesn't have titles for his photographs, but rather names of a series of works
    -takes ordinary objects and creates interesting photographs out of them
    Robert and Shana Park Harrison
    -series called the Architect's Brother: 1993-2001
    -9 sub-series that use a lot of Earth scenes with modeled people
    -Robert is often the model in the photos and Shana does the set designs
    -uses paper overlays to make the image, sometimes with 18 layers and lots of wax to create texture
    Carrie Mae Weems
    -got her degrees in art and folklore, which came into her work
    -she makes us see the unfair stereotypes that we place on people
    -uses colors of overlay on photographs to abolish race of her subjects
    -Kitchen Table shows how that space revolves around women and the intimacy of relationships between men and women, women and children, and women and women
    David Hillard
    -mixes autobiography with fiction and uses subjects from his real life
    -uses his father/son relationship in his photos to tell a story
    -oftens shoots horizontal photos instead of vertical ones
    Philip-Lorca Dicorca
    -choose to get into photography after overdosing on drugs and one of his friends died
    -all staged photographs that are ordinary but look like they're film stills
    -male prostitute photos have staged scenes of real-life workers and the light give glamour to a non-glamorous profession
    Mariko Mori
    -creates wardrobe and scenes of herself and no one really looks at her
    -her costumes represent alien and robot-like figures
    -she wants to have a child-like look in her photographs
    -she uses different elements of Earth, wind, water, and fire and was very spiritual

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  9. Notes 3/2/16

    Joel-Peter Witkin
    -war photographer and liked to take photos of corpse-like people
    -adds depth to his imagery by making 3-D photographs on top of each other
    -inspired other artists by creating very odd corpse-like people in the photographs
    -used a lot of dogs and people who were deformed and had disabilities
    Thomas Demand
    -made a scene from 30+ tons of cardboard sheeting and no one area is the same
    -challenges the age-old motto of photography that has to be documentary and conventional
    -likes to portray historical reenactments of certain major events and places
    -Dailies were things in his everyday life and he constructed them and took their pictures
    Sandy Skolgund
    -childhood affected her photographs later on in life; middle class family
    -very colorful work usually with lines and she wanted to learn different types of art
    -Radioactive Cats was a way to show that animals are somehow surviving even though humans are harming the earth and making it hard to lie in
    -likes to use live models and sculptors at the same time
    John Pfahl
    -used conceptual photography to show extreme differences in human endeavours
    -took pictures of atomic bombs scenes and represents the beginning and end of a culture
    -pictures taken from inside people's homes he thought would be a permanent view of the outside
    -windmill photos show the contrast between man-made structures and natural landscape
    Shizuka Yokomizo
    -she takes photos from a distance and doesn't know her subjects
    -she was able to capture the natural facial expression and body language
    -takes photos from other side of the window to show relationship of emotion from a distance, but still has the intimacy

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  10. Notes 3/23/16

    -digital photography allows us to create a reality, instead of capturing it
    -collections from the internet and morphed to make a photograph without a camera
    -Nancy Burson: used video technologies to create portraits from previous ones over time
    -desired to create ideal beauty portrait based on beauties of the time combined
    -created archetype of what the ideal beauty is
    -archetype of dictators with similar personalities to create a morph of all the people with a commonality
    -Daniel Lee: combined peoples' faces with various animal faces from Chinese zodiac
    -photographic surface is 2-D and he wanted to create something that had never been done before
    -Christopher Dorley-Brown: went to tiny town in England to take a series of portraits from 2,000 people to combine people from the same age groups and genders, and the people end up looking the same
    -Jason Salavon: took 100 centerfold images from the internet and blends them into an image to show a common theme for those models
    -lighter skin, better lighting, and different hair color occur over time
    -blurring the images makes you wonder what you are looking at
    -100 Special Moments are from combining of common American events like weddings, Santa Claus at Christmas, and graduation photos
    -makes us question how we categorize our photos and shows us common life events
    -Loretta Lux: uses children of family members and friends to create an archetype of the child to show the psychological personality of them, usually creates her own backdrop also
    -there is often a detachment and unusual proportions in the children
    Gillian Wearing: Album; photographs herself on her family members from old albums
    -made masks and body suits to be as close to the real people as possible
    -Craig Kalpakjian: wanted to create work that looked like corporate spaces by how he remembers them

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  11. Notes 3/28/16

    -Aziz and Cucher: used photographs of people they actually took, then photoshopped them
    -first to use Adobe in their digital photography
    -wanted to show how new technology affects us in our daily lives through our psychology
    -analyses how technology makes us lose our identity
    -Interiors represents living skin that is transformed into 3-D architectural space
    -interested in the transformation that takes place when looking at a photograph
    -having a very negative outlook on how technology affects images
    -Mathieu Bernard-Reymond: constructs images from multiple shots and composes it into one continuous frame
    -takes pictures of people for hours and days when they enter the exact same spot
    -people didn't know if they would be included in the space
    -Beate Gustschow: takes different pictures at different places to make the ideal landscape
    -uses over 100 photographs and photos look almost artificial
    -photographed all over the world to create an architectural disconnect without any people
    -never lists the places she photographs
    -Nancy Davenport: photos look like terrorist attacks and constructs political images that are familiar to us
    -we look at her images with familiarity and works with our memories that goes beyond the basic level of a photograph
    -Joan Foncuberta: became known for series Landscapes Without Memory used from imagery technology that transforms a map into a 3-D simulated images
    -uses language of science and look of photography to challenge a truthful landscape image
    -creates fabricated photographs from technology to show defined hallucinations
    -Richard Galpin: works with his own photographs and technology, prints his photographs, scores the emotion from his photographs to create a collage technique
    -subtracts information from his photographs with technology, instead of adding things in like in photoshop
    -Rudd Van Empel: uses digital collages to show beauty of black children, taking imperfections out makes it look almost fake
    -children look like creatures and mimic soldiers and look too perfect
    -wanted to define what makes fairytale child in books instead of normative white children
    -Maggie Taylor: creates images that look like tintypes and layers 100-200 images in photoshop that looks very fairytale-like
    -sometimes scans literal taxidermy objects that give a fairytale look to her work
    -Maki Kawakita: became famous for work that is playful video-game like images and was heavily influenced by Tokyo pop culture
    -combines traditional Japanese theater and flower arrangements
    -Cao Fei: reflects Chinese culture where she's from and creates complicated images of where she's from
    -wanted to reflect how changes in culture affects the younger people in that country
    -creates hyperrealistic images of the cultural architecture and behavior

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  12. Notes 4/4/16

    -these groups of artists collect appropriated images that are just democratic (no artistic significance), figure out the ideal in the photograph, and add their own style to it
    -Elad Lassry: founder of the post-appropriating photography, uses a lot of photographs from textbooks, works made for academics
    -questions the identity of the photographs and their genres and the frames become an extension of the photographs
    -subtle manipulations challenge the genre of the photograph and wants you to find something slightly wrong with the photograph
    -challenges how do we understand space by having the frame, foreground, and background all the same color
    -Roe Ethridge: commercial photographer who also challenges how we categorize photographs
    -skewed the dimensions of the objects to dilute the conventional ideals of photography
    -Is it a mash up or a mix up?
    -creates details that don't really belong with each other
    -Alex Prager: dramatic movie-like compositions full of color and looks almost fake
    -recreating images of woman through history of how women were portrayed in movie stills
    -photography about photography: post- appropriating photography
    -Man Ray: made photograms in the 20's and 30's; camera-less photography
    -positions objects on light table to put an art form to a new photographic surface
    -Sara Vanderveek: only uses print images from the internet of everyday life that doesn't come with the label of fine art
    -puts old photographs in place and re-photographs the image on the light table
    -Penelope Umbrico: types in words in a web search and puts them together in a collage in a certain space
    -main objective: how anyone can appropriate and make their own photographs
    -filters and re-puts together generic objects and sees what comes up for the first 1,000 photographs
    -Walead Beshty: creates abstracts and purely materialistic photographic surfaces
    -how a photograph can be transformed into something so abstract
    -Eileen Quinlan: uses thing mirrors, curves it, and shows how an object is reflected and how it represents an abstract of reality
    -tricks the viewer into thinking it's a painting, when it is a photograph
    -Wade Guyton: paints on a canvas and feeds it though into a photo printer machine
    -Amanda Ross Ho: mixes and matches images from other art mediums and regroups them together
    -Michele Abeles:only thing that's real in her photograph is the model (usually male)
    -manipulates and collages to make it look more flat, even when it has layers

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  13. Notes 4/6/16

    -photography has found its power in documentary and referencing something else
    -an approach of documentary photography is just a document, others use text, some are digital manipulation, and others document performances
    -Nan Goldin and Larry Clark (1960's-70's): photographed intimate scenes and people doing drugs
    -to the people they were photographing, they felt closer to them and didn't see the artists as photojournalists
    -Leigh Ledare: focused on relationship between his mother and other family members in the most vulnerable positions
    -defies logic of traditional family roles between mother and son; often takes sexual pictures of his mother
    -Latoya Ruby Frazier: photographs usually about her family and where she came from
    -all the townspeople worked in the steal mining industry and were family in the small town
    -how the family relationships changed in the town over 3 generations
    -it was her mother's idea to include herself (the artist) in the photographs
    -Adam Broomberg and Oliver Charnarin: challenges how we see public and private photographs
    -Erwin Wurm: performance about document type of photographs
    -wanted to make photographs to poke fun at some artistic mediums
    -purposefully made work that was politically incorrect
    -challenges how the human body can be changed through different mediums
    -Malanie Manchot: staged photographs between real life and performance
    -how people regulate between public and private locations
    -takes pictures of people that were just passing by, but she places them all in certain spots
    -Nikki S Lee: best known for heavily performed and practiced American subculture by transforming herself in photographs
    -cuts the photographs after she takes a picture of herself and her various partners in the photos and cuts the partner out to a certain ammount
    -uses a disposable camera to challenge the authenticity of the photographs and leaves the date on the pictures
    -Beat Streuli: depicts urban installations and photos look accidental like someone took them as they were just passing by
    -Paul Graham: photojournalist in England and takes a lot of poverty-stricken areas
    -took his American Night photograph by mistake and it turned out white
    -Richard Renaldi: asked strangers to perform by touching each other when they didn't know each other
    -took many takes since the pose had to reflect a certain level of intimacy

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  14. Notes 4/11/16

    -photographs with thread and textiles
    -Lisa kokin: cuts people out of found photos and threads them together
    -Amy Friend: has light shine through her photographs through little holes
    -Dieuwke Spans: creates textures and 3-D look by layering her photographs
    -Merve Ozlaslan: goes a lot of collage work for magazines and for herself in color
    -Diane Meyer: pixelates photographs with cross-stitch, like the Berlin Wall
    -Yoon Ji Seon: takes pictures of herself and adds sewing texture to her face other than her eyes
    -J Frede: takes found photographs and creates his own unique landscapes by framing them together
    -Randy Grskovic: takes pieces of his photographs and hand cuts and flips them
    -Liz Orton: works with postcards of places and is interested in landscapes and recreating them
    -photography becomes sculpture
    -Susy Oliveira: photos creating a sculpture and producing color prints
    -she likes to simplify things and it makes it more amplified
    -Michal Macku: layers glass together and makes it look like a complete solid piece of glass
    -Lucas Simoes: photographs rolled into a book by weaving photographs on wood and says he is making it look like a cinema scene
    -Carmen Freudenthal and Elle Verhagen: create photos on blue jeans and making jeans look 3-D in their photographs
    -Yuichi Ikehata: creates 3-D objects with photographs and creates fragments of people's' bodies

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  15. Notes 4/18/16

    -Brandon Nichols: combines gif images that are animated, usually human-like
    -Shai Langen: looks like animation, but it actually real people, sometimes for music videos
    -uses wall paper and paint on the human body and doesn't use computer animation
    -Noemie Goudal:background images are fake and questions whether God is real in her photographs
    -makes backgrounds fake and some real objects to question what's real and what's not
    -Henry Hargreaves: noticed people liked to take pictures of their food before they ate
    -one of the only photographs in the world that works with conceptual food photography
    -works to study the social implications of food on society
    -Candida Hofer: known for architectural documentation and analytical detailed photographs
    -creates photographs that for made for people to occupy; all about color and shape
    -photographs where each photograph was taken
    -Roger Ballen: creates very creepy and hard to look at photographs in South Africa
    -work reflects racial turmoil and hierarchical issues between differences in people's level of power
    -highlights different struggles that these people are facing
    -Denis Darzacq: how people and urban areas interact to reflect how we navigate our world
    -people levitating reflects our mindless urban activities and choices we make
    -Katharine Cooper: documents white South Africans and how they are the minority
    -she grew up as a white South African and shows how they are viewed as white trash
    -Abigail Reynolds: works on how you can expend a photographic surface
    -makes collages from found pages of books that depict famous places
    -Brian Bress: collages to reflect his personal expression
    -creates absurd protagonist and changes his own images to reflect the multitude of his identity
    -shows how shapes and color reflect human form and work reflects consumerism

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  16. Notes 4/20/16

    -Elad Lassry: post-appropriating photographer that works with found photographs
    -frames around the photographers are the most predominant color in the photographs
    -takes photos away from their original use and context, makes it more flat
    -uses wires and other pigments in his photographs, sometimes using motion as well
    -Alex Prager: dropped out of school at 14 and moved to Switzerland, then later back the states
    -highlights a lot of emotional turmoil in her work and makes short movie videos
    -a lot of her work in inspired by Los Angeles and public areas
    -personally go through and dress each person in her photographs and uses a lot of primary colors
    -Sophie Callee: travels for 7 years to get her art degree
    -early work was black and white photographs and puts them in a book
    -Detective was when she knew she was being followed but to her favorite places in Paris
    -photographed people's first reactions of when they saw the ocean for the first time
    -Richard Renaldi: takes a lot of self portraits of him and his partner and are often staged
    -all his photos look like someone else takes the pictures
    -travels to different places and documents him and his partner
    -takes pictures of different people at the bus station and where they are going is documented on the photograph
    -Richard Galpin: works with processing of change in urban areas and the environment
    -prints and peels away areas of the photos to create unique block-like shapes
    -orbital sanding makes more blurred lines where you can't identify what it is; labeled in numbers
    -makes 3-D photo sculptures that are anchored to the walls in his current work

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  17. Notes 4/25/16

    -Nancy Davenport: staged photographs depict and puts multiple images together to show familiar images in the media
    -included by previous works of art by other artists and recreating them digitally
    -would go take videos of events and take certain frames out and save them as screensavers
    -Screensavers show protestors that reflect social issues that were current of the time
    -Nikki Lee: conceptual photographer that wanted to do acting and film, but decided to do photography
    -used a point and shoot camera and took photos of subgroups and dressing herself to combine photography and performance
    -challenges the ideas of how we judge identity and how fixed our roles are
    -she wanted to make us question our identity and can we and do make we our cultural identities
    -she would often ask others or friends to take the photographs instead or herself

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